"Brandenburg Concerto No. 3 in G, BWV 1048: 2. Adagio" by Johann Sebastian Bach, Gewandhausorchester, Riccardo Chailly was released on January 1, 2010. With Brandenburg Concerto No. 3 in G, BWV 1048: 2. Adagio being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 19 in Bach: Brandenburg Concertos by Johann Sebastian Bach, Gewandhausorchester, Riccardo Chailly. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Brandenburg Concerto No. 3 in G, BWV 1048: 2. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brandenburg Concerto No. 3 in G, BWV 1048: 2. Adagio by Johann Sebastian Bach, Gewandhausorchester, Riccardo Chailly is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in G Minor, Op. 1, No. 12: IV. Presto | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Minor | 5 | 6A | 107 BPM | ||
Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM | ||
Concerto for 2 Mandolins, Strings and Continuo in G Major, RV. 532: I. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | A♭ Minor | 3 | 1A | 80 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 | Luc Beauséjour | A♭ Minor | 4 | 1A | 132 BPM | ||
Fantasie g-Moll "duobus subjectis" BWV 917 | Inge Rosar, Johann Sebastian Bach | A Minor | 3 | 8A | 64 BPM | ||
Solfeggio in C Minor, Wq. 117: No. 2 | Carl Philipp Emanuel Bach, See Siang Wong | C Minor | 2 | 5A | 78 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Minor | 1 | 5A | 82 BPM | ||
Concerto for 3 Violins in D Major, BWV 1064R: 2. Adagio | Johann Sebastian Bach, Klaus Schlupp, Hans Bunte, George Frideric Handel, Orchestre De La Sarre, Karl Ristenpart | F Major | 3 | 7B | 82 BPM | ||
St. Marc Passion, BWV 247 - Reconstruction: Diethard Hellmann / Teil 1 (Vor der Predigt): Choral: Jesu, ohne Missetat | Johann Sebastian Bach, Christiane Oelze, Rosemarie Lang, Peter Schreier, Leipzig Favorit- Und Capellchor, New Bach Collegium Musicum Leipzig | G Major | 0 | 9B | 80 BPM | ||
Goldberg Variations, BWV 988: Var. 9 Canone alla Terza a 1 Clav. | Johann Sebastian Bach, Catrin Finch | A♭ Minor | 1 | 1A | 116 BPM |
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