Anonymous , Antonio Vivaldi, Pavel Ulanicki, Cologne New Philharmonic Orchestra, Volker Hartung's 'Cello Sonata in E Minor, Op. 14 No. 5, RV 40 (Arr. for Cello & Orchestra): I. Largo - II. Allegro' came out on November 6, 2015. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vivaldi: Baroque Concertos by Antonio Vivaldi, Cologne New Philharmonic Orchestra, Volker Hartung. The song's track number on the album is #9 out of 23 tracks. Based on our statistics, Cello Sonata in E Minor, Op. 14 No. 5, RV 40 (Arr. for Cello & Orchestra): I. Largo - II. Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cello Sonata in E Minor, Op. 14 No. 5, RV 40 (Arr. for Cello & Orchestra): I. Largo - II. Allegro by Anonymous , Antonio Vivaldi, Pavel Ulanicki, Cologne New Philharmonic Orchestra, Volker Hartung has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Cello Sonata in E Minor, Op. 14 No. 5, RV 40 (Arr. for Cello & Orchestra): I. Largo - II. Allegro being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 40 in G Minor, K. 550: II. Andante | Wolfgang Amadeus Mozart, Cologne New Philharmonic Orchestra, Volker Hartung | E♭ Major | 0 | 5B | 87 BPM | ||
9 Studies: No. 1. Allegro agitato | Charles-Auguste de Bériot, Bella Hristova | G Major | 1 | 9B | 129 BPM | ||
Spanish Dances, Op. 21: No. 1. Malaguena | Pablo de Sarasate, L. Edvin Csury, Bela Simon | D Major | 1 | 10B | 130 BPM | ||
Requiem in D Minor, K. 626: IIIb. Sequence. Tuba mirum | Wolfgang Amadeus Mozart, Radostina Nikolaeva, Rossitsa Pavlova-Indzheva, Nicolay Motsov, Angel Hristov, Cologne New Philharmonic Orchestra, Volker Hartung | B♭ Major | 1 | 6B | 84 BPM | ||
Cello Sonata in E Minor, Op. 14 No. 5, RV 40 (Arr. for Cello & Orchestra): III. Largo | Anonymous , Antonio Vivaldi, Pavel Ulanicki, Cologne New Philharmonic Orchestra, Volker Hartung | E Minor | 0 | 9A | 71 BPM | ||
Danse rustique | William Henry Squire, Steven Isserlis, Stephen Hough | F Major | 1 | 7B | 94 BPM | ||
Serenade für Streicher, Op. 22, B. 52: I. Moderato | Antonín Dvořák, European New Philharmonic Orchestra, Volker Hartung | E Major | 1 | 12B | 77 BPM | ||
Requiem in D Minor, Op. 48: No. 3, Sanctus | Gabriel Fauré, Cologne New Philharmonic Orchestra, Philharmonic Chamber Choir Essen, Volker Hartung | E♭ Major | 1 | 5B | 60 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Arpeggione Sonata, D. 821: II. Adagio | Franz Schubert, Anne Gastinel, Claire Désert | E Major | 0 | 12B | 73 BPM |
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