George Frideric Handel, Jennifer Larmore, René Jacobs, Concerto Köln made "Giulio Cesare in Egitto, HWV 17, Atto I, Scena 3: "Empio, dirò"" available on December 1, 1991. With this song being about 5 minutes long, at 5:21, "Giulio Cesare in Egitto, HWV 17, Atto I, Scena 3: "Empio, dirò"" by George Frideric Handel, Jennifer Larmore, René Jacobs, Concerto Köln is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, René Jacobs, Bernarda Fink, Jennifer Larmore, Barbara Schlick, Marianne Rorholm, Concert Köln, Concerto Köln's "Handel: Giulio Cesare in Egitto" album is number 4 out of 45. In terms of popularity, Giulio Cesare in Egitto, HWV 17, Atto I, Scena 3: "Empio, dirò" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Giulio Cesare in Egitto, HWV 17, Atto I, Scena 3: "Empio, dirò" by George Frideric Handel, Jennifer Larmore, René Jacobs, Concerto Köln to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act 1: "Dell'invito trascorsa è già l'ora" | Giuseppe Verdi, Anna Netrebko, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Rolando Villazón, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Rupert Huber | A Major | 2 | 11B | 82 BPM | ||
St. John Passion, BWV 245, Part 2: No. 39, Chorus "Ruht wohl, ihr heiligen Gebeine" | Johann Sebastian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | B Minor | 2 | 10A | 78 BPM | ||
Maddalena ai piedi di Cristo: No. 10 Aria Maddalena "In un bivio è il mio volere" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | A♭ Major | 1 | 4B | 68 BPM | ||
Rossini: Petite messe solennelle: II. Gloria, 7. Cum Sancto Spiritu (Chorus). Allegro | Gioachino Rossini, Antonio Pappano | G Minor | 0 | 6A | 112 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Il Combattimento di Tancredi e Clorinda, SV 153: 3. Torna l'ira nei cori | Claudio Monteverdi, John Mark Ainsley, New London Consort, Philip Pickett | C Major | 2 | 8B | 164 BPM | ||
Rinaldo, HWV 7a: Lascia ch'io pianga | George Frideric Handel, Arion Orchestre Baroque, Daniel Taylor, Stephen Stubbs, Suzie LeBlanc | B Minor | 1 | 10A | 74 BPM | ||
Jean-Joseph Mouret: "Entrée" Extrait De La Premiere Suite D'orchestre | Tafelmusik Baroque Orchestra | D♭ Major | 3 | 3B | 151 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Ballo e Aria con Coro: Deh! Placatevi con me | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | E♭ Major | 1 | 5B | 179 BPM | ||
Chi vuol la zingarella (from Zingari in Fiera) | Giovanni Paisiello, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 80 BPM |
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