"Pictures at an Exhibition (Orch. Ravel): I. Gnomus" by Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado was released on January 1, 1995. The duration of Pictures at an Exhibition (Orch. Ravel): I. Gnomus is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Pictures at an Exhibition (Orch. Ravel): I. Gnomus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in London Symphony Orchestra, Claudio Abbado's "Mussorgsky: Pictures at an Exhibition" album is number 2 out of 20. On top of that, Germany appears to be the country where this track was created. Pictures at an Exhibition (Orch. Ravel): I. Gnomus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures at an Exhibition (Orch. Ravel): I. Gnomus by Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado to be Larghissimo because the track has a tempo of 0 BPM, a half-time of 0BPM, and a double-time of 0 BPM. Based on that, the speed of the song's tempo is slow.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in D Minor, Op. 107, MWV N 15 "Reformation": I. Andante - Allegro con fuoco | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 87 BPM | ||
Symphony No.2 in C Minor "Resurrection": First Movement: Im Tempo nachgeben | Gustav Mahler, Gilbert Kaplan, Ben Rizzi | E♭ Major | 3 | 5B | 96 BPM | ||
Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
Lohengrin, WWV 75 / Act III: Prelude to Act III | Richard Wagner, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | ||
Orchestral Variations - 'The Seeds Long Hidden': Variation 5 | Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins | B♭ Minor | 1 | 3A | 73 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
Rapsodie espagnole, M. 54: I. Prélude à la nuit | Maurice Ravel, London Symphony Orchestra, Claudio Abbado | B Major | 0 | 1B | 119 BPM | ||
Requiem in D Minor, K. 626: 5. Sanctus - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | D Major | 4 | 10B | 90 BPM | ||
Der Liebeszauber: Feuertanz | Manuel de Falla, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | E Major | 1 | 12B | 140 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: I. Allegro con brio | Antonín Dvořák, Claudio Abbado, Berliner Philharmoniker | G Major | 1 | 9B | 137 BPM |
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