"Symphony No. 5 in D Minor, Op. 107, MWV N 15 "Reformation": I. Andante - Allegro con fuoco" by Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado was released on January 1, 1985. Symphony No. 5 in D Minor, Op. 107, MWV N 15 "Reformation": I. Andante - Allegro con fuoco appears to be safe for all ages as it is not explicit. The track order of this song in Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado's "Mendelssohn: Symphonies Nos.4 "Italian" & 5 "Reformation"" album is number 5 out of 8. Symphony No. 5 in D Minor, Op. 107, MWV N 15 "Reformation": I. Andante - Allegro con fuoco is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 5 in D Minor, Op. 107, MWV N 15 "Reformation": I. Andante - Allegro con fuoco by Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 81 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 3 | 10B | 108 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Concerto For 2 Pianos In A Flat Major: III. Allegro Vivace | Benjamin Frith, RTE Sinfonietta, Hugh Tinney, Felix Mendelssohn | A♭ Major | 1 | 4B | 129 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Eine Alpensinfonie: I. Nacht - Sonnenaufgang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 88 BPM | ||
Capriccio Espagnol, Op.34: 5. Fandango asturiano | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 3 | 11B | 75 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | D Major | 1 | 10B | 100 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": II. Vivace non troppo | Felix Mendelssohn, Freiburger Barockorchester, Pablo Heras-Casado | E Major | 0 | 12B | 63 BPM | ||
Main Title | John Williams, London Symphony Orchestra | C Major | 4 | 8B | 100 BPM |
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