On March 15, 2024, the song "Concert Royal No. 1 in G (Version for 2 Harpsichords): VI. Gigue. Légèrement" was released by François Couperin, Pierre Gallon, Matthieu Boutineau. With Concert Royal No. 1 in G (Version for 2 Harpsichords): VI. Gigue. Légèrement being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 6 out of 26 in Couperin: Concerts Royaux by François Couperin, Pierre Gallon, Matthieu Boutineau. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Concert Royal No. 1 in G (Version for 2 Harpsichords): VI. Gigue. Légèrement's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Concert Royal No. 1 in G (Version for 2 Harpsichords): VI. Gigue. Légèrement by François Couperin, Pierre Gallon, Matthieu Boutineau is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deuxième livre de pièces de clavecin, Ordre 9: No. 2, La rafraîchissante | François Couperin, Andrew Appel | G Major | 6 | 9B | 79 BPM | ||
5 Pieces en concert (arr. P. Bazelaire for cello and strings): No. 5. Air de diable | Paul Bazelaire, François Couperin, Amit Peled, Eliza Ching | G Major | 2 | 9B | 109 BPM | ||
Concert Royal No. 1 in G (Version for 2 Harpsichords): VI. Gigue. Légèrement | François Couperin, Pierre Gallon, Matthieu Boutineau | E♭ Major | 4 | 5B | 125 BPM | ||
Suite in D Minor, HWV 448: III. Courante | George Frideric Handel, Fernando De Luca | D♭ Minor | 4 | 12A | 82 BPM | ||
Kleine Präludien: No.5 in F Major, BWV 928 | Inge Rosar | F♯ Major | 6 | 2B | 143 BPM | ||
L'art de toucher le clavecin: No. 1, Prelude in C Major | François Couperin, Andrew Appel | A♭ Minor | 3 | 1A | 119 BPM | ||
II. Vivace | Georg Philipp Telemann, Anna Urpina | B♭ Minor | 1 | 3A | 91 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Keyboard Concerto No. 2 in G Major: II. Grave | Johann Adolf Hasse, Janos Sebestyen | E Minor | 1 | 9A | 73 BPM | ||
5 Pieces en concert (arr. P. Bazelaire for cello and strings): No. 1. Prelude | Paul Bazelaire, François Couperin, Amit Peled, Eliza Ching | B♭ Major | 0 | 6B | 79 BPM |
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