"Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito" by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev, Daniil Trifonov was released on August 28, 2012. Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Tchaikovsky: Piano Concerto No. 1". In this album, this song's track order is #1. Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev, Daniil Trifonov having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Swan Lake, Op. 20, Act IV: No. 28, Scene. Allegro agitato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A♭ Minor | 2 | 1A | 76 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Symphonie Fantastique, Op.14, H 48: 5b. Songe d'une nuit du Sabbat - Dies irae | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 1 | 6A | 63 BPM | ||
Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Minor | 2 | 5A | 109 BPM | ||
Requiem In D Minor, K. 626: Sanctus | Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Major | 3 | 10B | 82 BPM | ||
Nocturne No. 19 in E Minor, Op. 72, No. 1 | Frédéric Chopin, Benjamin Grosvenor | E Minor | 0 | 9A | 66 BPM | ||
Etude Op. 10 no. 4 in c sharp minor | Valentina Lisitsa | F♯ Minor | 2 | 11A | 92 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
Swan Lake, Op.20 - Mariinsky Version / Act 1: Scene 1: Pas de trois - Variation 1 (Allegro semplice) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 97 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |
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