- BPM
- 79
- Key
- A♭ Major
- Camelot
- 4B
Gianni Schicchi: Dunque era vero! (Simone/La Ciesca/Marco/Betto/Nella/Zita/Rinuccio/Gheraldo) - Giacomo Puccini, Felicity Palmer/Roberto Alagna/Paolo Barbacini/Patrizia Ciofi/Carlos Chausson/Luigi Roni/Roberto Scaltriti/Elena Zilio/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra Information
- Acousticness
- 97%
- Danceability
- 41%
- Energy
- 33%
- Instrumentalness
- 0%
- Liveness
- 28%
- Loudness
- 70%
- Speechiness
- 25%
- Valence
- 19%
- Popularity
- 2%
- Loudness
- -18.018 dB
Summary
"Gianni Schicchi: Dunque era vero! (Simone/La Ciesca/Marco/Betto/Nella/Zita/Rinuccio/Gheraldo)" by Giacomo Puccini, Felicity Palmer/Roberto Alagna/Paolo Barbacini/Patrizia Ciofi/Carlos Chausson/Luigi Roni/Roberto Scaltriti/Elena Zilio/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra was released on February 1, 1999. The duration of Gianni Schicchi: Dunque era vero! (Simone/La Ciesca/Marco/Betto/Nella/Zita/Rinuccio/Gheraldo) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Gianni Schicchi: Dunque era vero! (Simone/La Ciesca/Marco/Betto/Nella/Zita/Rinuccio/Gheraldo)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 58 in the song's album "Puccini: Il trittico". In this album, this song's track order is #4. Gianni Schicchi: Dunque era vero! (Simone/La Ciesca/Marco/Betto/Nella/Zita/Rinuccio/Gheraldo) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Gianni Schicchi: Dunque era vero! (Simone/La Ciesca/Marco/Betto/Nella/Zita/Rinuccio/Gheraldo) BPM
With Gianni Schicchi: Dunque era vero! (Simone/La Ciesca/Marco/Betto/Nella/Zita/Rinuccio/Gheraldo) by Giacomo Puccini, Felicity Palmer/Roberto Alagna/Paolo Barbacini/Patrizia Ciofi/Carlos Chausson/Luigi Roni/Roberto Scaltriti/Elena Zilio/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Gianni Schicchi: Dunque era vero! (Simone/La Ciesca/Marco/Betto/Nella/Zita/Rinuccio/Gheraldo) Key
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La Sonnambula / Act 2: Ah! non credea mirarti si presto estinto, o fiore | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Orchestra La Scintilla, Alessandro De Marchi | C Major | 0 | 8B | 176 BPM | |
 | Tosca, Act III: Vissi d’arte | Giacomo Puccini, Luigi Illica, Giuseppe Giacosa, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | |
 | Norma / Act 1: Casta Diva | Vincenzo Bellini, Beverly Sills, Paul Plishka, John Alldis Choir, New Philharmonia Orchestra, James Levine | G Major | 1 | 9B | 87 BPM | |
 | L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | |
 | Cavalleria rusticana: Preludio | Pietro Mascagni, James Levine | F Major | 1 | 7B | 93 BPM | |
 | Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Marianne Crebassa, Marc Minkowski, Mozarteum Orchestra Salzburg | B♭ Major | 1 | 6B | 64 BPM | |
 | Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | |
 | L'elisir d'amore / Act 2: "Una furtiva lagrima...Eccola!" | Gaetano Donizetti, Giuseppe Di Stefano, Hilde Gueden, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli | F Minor | 1 | 4A | 125 BPM | |
 | Puccini's Manon Lescaut - Donna Non Vidi Mai | Carlo Bergonzi | B♭ Major | 3 | 6B | 116 BPM | |
 | Gianni Schicchi: Aria: Oh, mio bambino caro (Lauretta) | Giacomo Puccini, Katalin Pitti, Hungarian State Opera Chorus, Budapest Philharmonic Orchestra, Ádám Medveczky | A♭ Major | 1 | 4B | 169 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6524462699890137
End: 0.6569015979766846