"7 Songs from A Shropshire Lad: VI. When Smoke Stood Up From Ludlow" by Charles Wilfrid Orr, Paul Whelan, David Harper was released on January 1, 2000. The duration of 7 Songs from A Shropshire Lad: VI. When Smoke Stood Up From Ludlow is about 3 minutes long, at 3:07. Based on our data, "7 Songs from A Shropshire Lad: VI. When Smoke Stood Up From Ludlow" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 21 out of 26 in Bridge / Lilburn / Ireland / Orr / Finzi: Songs for Baritone by Paul Whelan. The popularity of 7 Songs from A Shropshire Lad: VI. When Smoke Stood Up From Ludlow is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 7 Songs from A Shropshire Lad: VI. When Smoke Stood Up From Ludlow by Charles Wilfrid Orr, Paul Whelan, David Harper is Prestissimo (even faster than presto), since this song has a tempo of 229 BPM. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Songs from A Shropshire Lad: V. Oh Fair Enough Are Sky and Plain | Charles Wilfrid Orr, Paul Whelan, David Harper | B♭ Major | 1 | 6B | 169 BPM | ||
Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 2, Tropical Noon | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | A Major | 1 | 11B | 134 BPM | ||
On the Town: I. The Great Lover | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 109 BPM | ||
Britten: Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 3 | 9B | 82 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Bright Blue Music | Michael Torke, Baltimore Symphony Orchestra, David Zinman | D Major | 2 | 10B | 118 BPM | ||
Suite from "The Victorian Kitchen Garden": II. Spring. Allegretto | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 81 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
Charterhouse Suite: Slow Dance | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | E Minor | 1 | 9A | 100 BPM |
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