Michael Torke, Baltimore Symphony Orchestra, David Zinman's 'Bright Blue Music' came out on January 1, 1991. Since Bright Blue Music is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Torke: Colour Music". In this album, this song's track order is #5. In terms of popularity, Bright Blue Music is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bright Blue Music by Michael Torke, Baltimore Symphony Orchestra, David Zinman having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in A minor, Op.53: 1. Allegro ma non troppo - Quasi moderato | Antonín Dvořák, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | D Minor | 1 | 7A | 113 BPM | ||
English Folk Song Suite (arr. G. Jacob): III. Intermezzo, "My Bonny Boy" | Ralph Vaughan Williams, Gordon Jacob, Royal Liverpool Philharmonic Orchestra, James Judd | C Minor | 0 | 5A | 92 BPM | ||
Danse macabre, Op. 40, R. 171 | Camille Saint-Saëns, Luben Yordanoff, Orchestre de Paris, Daniel Barenboim | G Minor | 2 | 6A | 112 BPM | ||
Symphony No. 4 in D Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | B♭ Major | 0 | 6B | 144 BPM | ||
Mozart: Piano Concerto No. 22 in E-Flat Major, K. 482: III. Allegro (Cadenza by Zacharias) | Wolfgang Amadeus Mozart, Christian Zacharias, Staatskapelle Dresden, David Zinman | B♭ Major | 1 | 6B | 152 BPM | ||
Symphony No. 3, Op. 36: II. Lento e Largo - Tranquillissimo | Henryk Górecki, Dawn Upshaw, London Sinfonietta, David Zinman | B♭ Minor | 1 | 3A | 70 BPM | ||
Concertstück in D Major for Violin and Orchestra, D. 345 | Franz Schubert, David Zinman | D Major | 1 | 10B | 111 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prelude | Gabriel Fauré, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 0 | 9B | 81 BPM | ||
Sky, Concerto for Violin: II. Wistful | Michael Torke, Tessa Lark, David Alan Miller, Albany Symphony Orchestra | G Minor | 1 | 6A | 113 BPM | ||
Symphony No. 4 in D Minor: II. Andante cantabile | Florence Beatrice Price, Fort Smith Symphony, John Jeter | B♭ Major | 0 | 6B | 93 BPM |
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