Messiah, HWV 56 / Pt. 1: There Were Shepherds Abiding In The Field - George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Felicity Lott Information

Acousticness: 97%
Danceability: 36%
Energy: 7%
Instrumentalness: 0%
Liveness: 38%
Loudness: 57%
Speechiness: 8%
Valence: 16%
Popularity: 10%
Loudness: -25.55 dB

Summary

"Messiah, HWV 56 / Pt. 1: There Were Shepherds Abiding In The Field" by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Felicity Lott had its release date on January 1, 2013. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 49 in the song's album "The Messiah (Platinum Edition)". In this album, this song's track order is #14. Based on our statistics, Messiah, HWV 56 / Pt. 1: There Were Shepherds Abiding In The Field's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messiah, HWV 56 / Pt. 1: There Were Shepherds Abiding In The Field BPM

With Messiah, HWV 56 / Pt. 1: There Were Shepherds Abiding In The Field by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Felicity Lott having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Messiah, HWV 56 / Pt. 1: There Were Shepherds Abiding In The Field Key

This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Trio Sonata No. 1 in A Minor: II. Fuga	William Boyce, Simon Standage, Collegium Musicum 90	A♭ Minor	1	1A	81 BPM
Orfeo ed Euridice: Act I, Scene 1, Coro: Ah! Se intorno a quest'urna funesta	Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester	C Minor	1	5A	75 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	A♭ Major	3	4B	161 BPM
Musiche sacre: No. 23, Canzon à 3	Francesco Cavalli, London Baroque	A♭ Minor	1	1A	122 BPM
Serse, HWV 40 / Act 1: "Ombra mai fu" (Arr. for Oboe)	George Frideric Handel, Edward Brewer, Randall Wolfgang, Orpheus Chamber Orchestra	F Major	1	7B	79 BPM
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai	Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt	E Major	2	12B	107 BPM
Pergolesi: Stabat Mater: III. O quam tristis et afflicta	Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti	F♯ Minor	1	11A	111 BPM
Ouverture in D Major, "Darmstadt": Harlequinade	Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl	D♭ Major	1	3B	174 BPM
3 Romances, Op. 11: 1. Andante	Clara Schumann, Isata Kanneh-Mason	E♭ Minor	0	2A	127 BPM
Rinaldo / Act 3: Recitativo: Quivi par che rubella	George Frideric Handel, Daniel Taylor, Bernarda Fink, Academy of Ancient Music, Christopher Hogwood	B♭ Minor	2	3A	131 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records