Nicol Matt, Jens Wollenschläger, Ute Petersilge, Jörg Halobek, Robert Sagasser, Martina Rotbauer, Soloist Of The Freiburger Barockorchester, Heike Hümmer, Johann Sebastian Bach, Nordic Chamber Choir's 'Nun Freut Euch, Lieben Christen G'mein, Weihnachtsoratorium Bwv 248' came out on March 28, 2007. With Nun Freut Euch, Lieben Christen G'mein, Weihnachtsoratorium Bwv 248 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 20 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Nun Freut Euch, Lieben Christen G'mein, Weihnachtsoratorium Bwv 248 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nun Freut Euch, Lieben Christen G'mein, Weihnachtsoratorium Bwv 248 by Nicol Matt, Jens Wollenschläger, Ute Petersilge, Jörg Halobek, Robert Sagasser, Martina Rotbauer, Soloist Of The Freiburger Barockorchester, Heike Hümmer, Johann Sebastian Bach, Nordic Chamber Choir is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in C Major for Two Oboes and Strings, Op. 7 No. 12: III. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Chamber Orchestra, Nicol Matt | C Major | 3 | 8B | 116 BPM | ||
Introduzione | Franz Joseph Haydn, Edoardo Bellotti, Maurizio Salerno | A Major | 1 | 11B | 81 BPM | ||
A la venue de noël | Marc-Antoine Charpentier, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Minor | 2 | 12A | 92 BPM | ||
Missa Subtitulo S. Francisci Seraphici, "St. Francis Mass": Sanctus | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | D Major | 3 | 10B | 141 BPM | ||
Gloria, ZWV 30: V. Qui sedes | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | E Major | 1 | 12B | 84 BPM | ||
Magnificat, RV 610: 1. Magnificat anima mea Dominum | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | D♭ Major | 3 | 3B | 114 BPM | ||
Biber: Requiem a 15 in A Major: V. Sanctus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
Misatango, Misa a Buenos Aires: XII. Pleni sunt coeli et terra | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | G Minor | 2 | 6A | 70 BPM | ||
Salve Regina pour soprano, contre-ténor et basse continue: I. Salve Regina (Adagio) | Domenico Scarlatti, Vox Luminis, Lionel Meunier | A♭ Major | 3 | 4B | 124 BPM | ||
4. Aria: Du Held | Georg Anton Kreusser, Christoph Prégardien, Karsten Storck, Mainzer Domorchester | F Minor | 2 | 4A | 168 BPM |
Section: 0.644366979598999
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