Marin Marais, London Baroque's 'Suite in G Minor: Sarabande I' came out on April 1, 2005. With Suite in G Minor: Sarabande I being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Trio Sonata In 17th-Century France". In this album, this song's track order is #23. In terms of popularity, Suite in G Minor: Sarabande I is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite in G Minor: Sarabande I by Marin Marais, London Baroque having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le tombeau de Monsieur de Lully: II. Vif | Jean-Féry Rebel, London Baroque | B Minor | 3 | 10A | 56 BPM | ||
Recorder Sonata No. 11 in A Minor: III. Larghetto | Domenico Sarro, Dan Laurin, London Baroque | D♭ Minor | 0 | 12A | 34 BPM | ||
Recorder Sonata in A Minor: IV. Allegro | Diogenio Bigaglia, Dan Laurin, Parnassus Avenue | A♭ Minor | 4 | 1A | 127 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 4: III. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | B♭ Major | 2 | 6B | 128 BPM | ||
Trio Sonata in G Minor, Op. 5, No. 18, RV 72: II. Allemanda (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | A Major | 2 | 11B | 118 BPM | ||
Scarlatti, A.: Concerto Grosso No. 2 in C Minor: III. Minueto | Alessandro Scarlatti, Europa Galante, Fabio Biondi | B Minor | 1 | 10A | 110 BPM | ||
Symphony No. 82 in E Minor: III. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | B Major | 1 | 1B | 97 BPM | ||
Viola da Gamba Suite in D Major: VIII. Aria | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 114 BPM | ||
Trio Sonata in B-Flat Major, GraunWV A:XV:16: III. Allegro non troppo | Johann Gottlieb Graun, London Baroque | E Major | 2 | 12B | 136 BPM | ||
"Sonate à quatre parties" In D Major: 1. Allegro | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 185 BPM |
Section: 0.47253990173339844
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