"4 Pieces: No. 3. Arietta" by Aarre Merikanto, Janne Marttila, Tampere Philharmonic Orchestra, Tuomas Ollila-Hannikainen was released on January 1, 1998. With this song being about 5 minutes long, at 4:45, "4 Pieces: No. 3. Arietta" by Aarre Merikanto, Janne Marttila, Tampere Philharmonic Orchestra, Tuomas Ollila-Hannikainen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Aarre Merikanto, Tapani Länsio, Tuomas Ollila-Hannikainen's "Merikanto, A.: Orchestral Music (Lansio)" album is number 5 out of 8. On top of that, Finland appears to be the country where this track was created. 4 Pieces: No. 3. Arietta is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 4 Pieces: No. 3. Arietta by Aarre Merikanto, Janne Marttila, Tampere Philharmonic Orchestra, Tuomas Ollila-Hannikainen to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
El cant dels ocells (Song of the Birds) (version for cello and orchestra) | Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A Minor | 0 | 8A | 89 BPM | ||
Piano Concerto No. 2: II. Lento assai | Aarre Merikanto, Matti Raekallio, Tampere Philharmonic Orchestra, Tuomas Ollila-Hannikainen | A Minor | 1 | 8A | 68 BPM | ||
5 Gesange (arr. J. Panula): No. 2. Ekstase (Ecstasy) | Alma Mahler, Jorma Panula, Lilli Paasikivi, Tampere Philharmonic Orchestra | C Major | 2 | 8B | 79 BPM | ||
Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Laulu Dnjeprille (Song of Dnieper) | Traditional, Riku Niemi, Veijo Laine, Matti Salminen, Tampere Philharmonic Orchestra | B Minor | 3 | 10A | 166 BPM | ||
5 Lieder (arr. J. Panula): No. 1. Die stille Stadt (The Quiet Town) | Alma Mahler, Jorma Panula, Lilli Paasikivi, Tampere Philharmonic Orchestra | D Major | 1 | 10B | 81 BPM |
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