"Messa di Gloria: Cum Sancto Spiritu" by Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi was released on January 19, 2002. With this song being about 5 minutes long, at 4:30, "Messa di Gloria: Cum Sancto Spiritu" by Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Puccini: Messa Di Gloria / Preludio Sinfonico". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Messa di Gloria: Cum Sancto Spiritu is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messa di Gloria: Cum Sancto Spiritu by Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudate Dominum | Wolfgang Amadeus Mozart, Lucia Popp, Kurt Eichhorn | A Major | 1 | 11B | 132 BPM | ||
Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM | ||
Thaïs / Acte Deux: Méditation religieuse - Symphonie | Jules Massenet, Renaud Capuçon, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt) | Alexander Borodin, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | A Major | 1 | 11B | 79 BPM | ||
Puccini: Tosca, Act 3 Scene 2: "E lucevan le stelle" (Cavaradossi) | Giacomo Puccini, Marcello Viotti, Muenchner Rundfunkorchester | B Minor | 1 | 10A | 91 BPM | ||
Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" | Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos Kleiber | B Major | 2 | 1B | 90 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Cavalleria rusticana: Act I: Intermezzo sinfonico | Pietro Mascagni, James Levine, National Philharmonic Orchestra | F Major | 1 | 7B | 87 BPM | ||
Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 79 BPM |
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