Dmitry Kabalevsky, Michael Korstick made "24 Preludes, Op. 38: No. 18, Largamente con gravita" available on June 5, 2020. With 24 Preludes, Op. 38: No. 18, Largamente con gravita being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Dmitry Kabalevsky, Michael Korstick's "Kabalevsky: Complete Preludes" album is number 18 out of 37. On top of that, Germany appears to be the country where this track was created. 24 Preludes, Op. 38: No. 18, Largamente con gravita is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 24 Preludes, Op. 38: No. 18, Largamente con gravita by Dmitry Kabalevsky, Michael Korstick to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Golden Age, Op. 22b: Polka (Arr. for Piano) | Dmitri Shostakovich, Vladimir Ashkenazy | F Major | 2 | 7B | 112 BPM | ||
Rondo a Capriccio in G Major, Op. 129, "Rage over a Lost Penny" | Ludwig van Beethoven, Jenő Jandó | G Major | 2 | 9B | 80 BPM | ||
Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
12 Etudes, Op. 39: No. 12 Hungarian: Presto con fuoco | Edward MacDowell, James Barbagallo | A Minor | 2 | 8A | 84 BPM | ||
Wieniawski: 8 Etudes-Caprices, Op. 18: No. 4 in A Minor | Henryk Wieniawski, Itzhak Perlman | D Minor | 3 | 7A | 106 BPM | ||
Piano Sonata No. 2 in E-Flat Major, Op. 45: I. Allegro moderato. Festivamente | Dmitry Kabalevsky, Michael Korstick | D♭ Major | 2 | 3B | 64 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | E♭ Minor | 2 | 2A | 113 BPM | ||
Prélude No. 24 in D Minor, Op. 38: Allegro feroce | Dmitry Kabalevsky, Christoph Deluze | A Major | 1 | 11B | 63 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: 1. Allegro maestoso | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A♭ Minor | 1 | 1A | 120 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM |
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