- BPM
- 87
- Key
- F♯ Major
- Camelot
- 2B
Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: I. Prélude - Johann Sebastian Bach, Yo-Yo Ma Information
- Acousticness
- 98%
- Danceability
- 36%
- Energy
- 18%
- Instrumentalness
- 81%
- Liveness
- 9%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 36%
- Popularity
- 38%
- Loudness
- -21.791 dB
Summary
Johann Sebastian Bach, Yo-Yo Ma's 'Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: I. Prélude' came out on 1997. The duration of Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: I. Prélude is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: I. Prélude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Yo-Yo Ma's "Inspired By Bach: The Cello Suites (Remastered)" album is number 1 out of 36. Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: I. Prélude is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: I. Prélude BPM
We consider the tempo marking of Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: I. Prélude by Johann Sebastian Bach, Yo-Yo Ma to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: I. Prélude Key
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C Major BWV846 | Daniel Barenboim | A Minor | 1 | 8A | 107 BPM | |
 | Cessate, omai Cassai: Ah, Ch'infelice Sempre | Irish Film Orchestra, Mark Suozzo, Chloe Morgan | G Minor | 2 | 6A | 101 BPM | |
 | Suite for Solo Cello No. 1 in G Major, BWV 1007: I. Prélude | Johann Sebastian Bach, Mischa Maisky | G Major | 1 | 9B | 78 BPM | |
 | Rêverie, L. 68 (Arr. for Orchestra) - Instrumental | Claude Debussy, Philadelphia Orchestra, Eugene Ormandy | F Major | 1 | 7B | 88 BPM | |
 | The Song of Names for Violin and Cantor | Howard Shore, Ray Chen, Daniel Mutlu | A Minor | 1 | 8A | 89 BPM | |
 | Zigeunerweisen, Op. 20: Moderato - Lento - Un peu plus lent - Allegro molto vivace | Pablo de Sarasate, Gil Shaham, London Symphony Orchestra, Lawrence Foster | G Minor | 2 | 6A | 100 BPM | |
 | Company: II. — | Philip Glass, Ulster Orchestra, Takuo Yuasa | F Major | 1 | 7B | 129 BPM | |
 | Cello Suite No. 1 in G Major, BWV 1007: I. Prelude | Johann Sebastian Bach, André Navarra | G Major | 1 | 9B | 69 BPM | |
 | Pizzicato | Johann Georg Reutter, La Gioia Armonica, Jurgen Banholzer | A Major | 0 | 11B | 60 BPM | |
 | Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | G Minor | 2 | 6A | 146 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5864565372467041
End: 0.589709997177124