- BPM
- 88
- Key
- F Major
- Camelot
- 7B
Rêverie, L. 68 (Arr. for Orchestra) - Instrumental - Claude Debussy, Philadelphia Orchestra, Eugene Ormandy Information
- Acousticness
- 98%
- Danceability
- 10%
- Energy
- 8%
- Instrumentalness
- 91%
- Liveness
- 19%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 13%
- Loudness
- -24.636 dB
Summary
"Rêverie, L. 68 (Arr. for Orchestra) - Instrumental" by Claude Debussy, Philadelphia Orchestra, Eugene Ormandy was released on 1963. Rêverie, L. 68 (Arr. for Orchestra) - Instrumental is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The song is number 17 out of 17 in Dinner Classics: The French Album by The Cleveland Orchestra, The Philadelphia Orchestra, The Philharmonia Orchestra, The Royal Philharmonic Orchestra. Rêverie, L. 68 (Arr. for Orchestra) - Instrumental is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Rêverie, L. 68 (Arr. for Orchestra) - Instrumental BPM
The tempo marking of Rêverie, L. 68 (Arr. for Orchestra) - Instrumental by Claude Debussy, Philadelphia Orchestra, Eugene Ormandy is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
Rêverie, L. 68 (Arr. for Orchestra) - Instrumental Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rodeo: Hoe-Down | Aaron Copland, Michael Tilson Thomas | D Major | 2 | 10B | 129 BPM | |
 | La Sainte-Chapelle (Orch. Dannheisser) | Lisa Batiashvili, London Metropolitan Orchestra, Andy Brown | B♭ Major | 1 | 6B | 81 BPM | |
 | Pine Cone | Dickon Hinchliffe | G Major | 1 | 9B | 174 BPM | |
 | Grandes études de Paganini, S. 141: No. 3 in G-Sharp Minor "La campanella" | Franz Liszt, Gianluca Luisi | A♭ Minor | 2 | 1A | 67 BPM | |
 | Suite bergamasque, L. 75: No. 3, Clair de lune (Arr. L. Caillet for Orchestra) | Claude Debussy, Eugene Ormandy, Philadelphia Orchestra, Philharmonia Orchestra | D♭ Major | 0 | 3B | 165 BPM | |
 | It Has To Be You | Abel Korzeniowski | C Minor | 2 | 5A | 187 BPM | |
 | Mahler: Symphony No. 5 in C-Sharp Minor, Part. 3: IV. Adagietto (Sehr langsam) | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F Major | 0 | 7B | 80 BPM | |
 | Glasgow Love Theme | Craig Armstrong | A Major | 1 | 11B | 75 BPM | |
 | Celtic Concerto: 1. Jig a Jig | Catrin Finch, Sinfonia Cymru, John Rutter | E♭ Major | 3 | 5B | 140 BPM | |
 | Suite bergamasque, L. 75: 3. Clair de lune | Claude Debussy, Menahem Pressler | D♭ Major | 0 | 3B | 109 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6710760593414307
End: 0.6792328357696533