Eduardo di Capua, Alfredo Mazzucchi, Umberto Urbano, Orchestra, Johann Heidenreich's 'O sole mio' came out on April 1, 1928. The duration of O sole mio is about 3 minutes long, at 3:11. Based on our data, "O sole mio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Di Capua: O sole mio and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, O sole mio is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of O sole mio by Eduardo di Capua, Alfredo Mazzucchi, Umberto Urbano, Orchestra, Johann Heidenreich is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O sole mio | Eduardo di Capua, Ferruccio Giannini, Artist Unknown | E♭ Major | 1 | 5B | 167 BPM | ||
Lasciami cantare una canzone | Leo Nucci, Salotto Ottocento Ensemble | D Major | 2 | 10B | 94 BPM | ||
Santa Lucia | Italian Mandolin Torna A Surriento | G Major | 4 | 9B | 104 BPM | ||
Il Barbiere di Siviglia: La calunnia è un venticello | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | ||
Frühlingsstimmen, Op. 410 (Version for Orchestra) | Johann Strauss II, Cologne New Philharmonic Orchestra, Volker Hartung | C Minor | 1 | 5A | 104 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 88 BPM | ||
Doña Francisquita: Coro de Románticos | Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Coro Polifonico De La Universidad De La Laguna | E♭ Major | 1 | 5B | 101 BPM | ||
Vad gränslösa kärlek (O sole mio) | Eduardo di Capua, Einar Ekberg, Einar Waermo, Karl-Erik Svedlund, Ake Lofdahl | F♯ Major | 2 | 2B | 122 BPM | ||
Gianni Schicchi: Oh! Mio Babbino Caro | Renata Tebaldi, Lamberto Gardelli, Orchestra del Maggio Musicale Fiorentino | A♭ Major | 3 | 4B | 88 BPM |
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