Traditional, Olle Persson, Blåsarensemble, Egon Kjerrman made "Beväringsvisa från Fristad Hed (Älvsborgs regemente)" available on 1995. The duration of Beväringsvisa från Fristad Hed (Älvsborgs regemente) is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Beväringsvisa från Fristad Hed (Älvsborgs regemente)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 70 in the song's album "Sång och spel från mäss och hed". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Beväringsvisa från Fristad Hed (Älvsborgs regemente)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Beväringsvisa från Fristad Hed (Älvsborgs regemente) by Traditional, Olle Persson, Blåsarensemble, Egon Kjerrman having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tallinn | Fredrik Hiller | D Major | 2 | 10B | 57 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
Hymn to the Eternal Flame (From to Be Certain of the Dawn) | The Singers - Minnesota Choral Artists, Matthew Culloton | D♭ Major | 1 | 3B | 169 BPM | ||
Miss De Angelis: V. Agnus Dei | Gregorian Chants, Karel Frana, Boni Puncti | F Major | 1 | 7B | 126 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: I. Lord have Mercy | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Major | 3 | 10B | 79 BPM | ||
Passion Week, Op. 13: VI. Of Thy Mystical Supper | Maximilian Steinberg, Cappella Romana, Alexander Lingas | C Major | 0 | 8B | 128 BPM | ||
Hole in the Wall (From Abdelazer) | Henry Purcell, Bjarte Eike, Barokksolistene | B♭ Major | 3 | 6B | 110 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM | ||
Innsbruck, ich muß dich lassen | Heinrich Isaac, Amarcord | D Minor | 1 | 7A | 75 BPM |
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