Gaîté parisienne: Tempo di marcia
Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn
Offenbach: Gaité Parisienne
1:29 January 1, 1982
BPM
152
Key
B Major
Camelot
1B

Embed

Share Link

Gaîté parisienne: Tempo di marcia - Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn Information

Acousticness
75%
Danceability
65%
Energy
28%
Instrumentalness
0%
Liveness
9%
Loudness
58%
Speechiness
5%
Valence
97%
Popularity
Loudness
-25.129 dB

Summary

On January 1, 1982, the song "Gaîté parisienne: Tempo di marcia" was released by Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn. With Gaîté parisienne: Tempo di marcia being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Offenbach: Gaité Parisienne". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Gaîté parisienne: Tempo di marcia's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Gaîté parisienne: Tempo di marcia BPM

With Gaîté parisienne: Tempo di marcia by Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.

Gaîté parisienne: Tempo di marcia Key

This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor by Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp MinorSeattle Symphony Orchestra, Johannes Brahms, Gerard SchwarzG Minor16A83 BPM
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro moltoAntonín Dvořák, Oslo Philharmonic Orchestra, Mariss JansonsE Minor19A112 BPM
Norma / Act 1: Casta Diva by Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard BonyngeNorma / Act 1: Casta DivaVincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard BonyngeF Major17B67 BPM
Les Contes d'Hoffmann / Act 2: Belle nuit, ô nuit d'amour by Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Plácido Domingo, Andre Neury, Pro Arte Choir, Lausanne, Choeur Du Brassus, Choeur de la Radio Suisse Romande, Orchestre de la Suisse Romande, Richard BonyngeLes Contes d'Hoffmann / Act 2: Belle nuit, ô nuit d'amourJacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Plácido Domingo, Andre Neury, Pro Arte Choir, Lausanne, Choeur Du Brassus, Choeur de la Radio Suisse Romande, Orchestre de la Suisse Romande, Richard BonyngeD Major110B77 BPM
Jazz Suite No. 2: VII. Dance 2 by Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyJazz Suite No. 2: VII. Dance 2Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyA Major211B109 BPM
Hungarian Dance No. 1 in G Minor: Allegro molto by Johannes Brahms, London Festival Orchestra, Alfred ScholzHungarian Dance No. 1 in G Minor: Allegro moltoJohannes Brahms, London Festival Orchestra, Alfred ScholzG Minor16A91 BPM
Vesperae solennes de confessore, K. 339: V. Laudate Dominum by Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick PeireVesperae solennes de confessore, K. 339: V. Laudate DominumWolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick PeireF Major07B82 BPM
Symphony No. 40 in G Minor, K. 550: I. Molto allegro by Wolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Rafael KubelíkSymphony No. 40 in G Minor, K. 550: I. Molto allegroWolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Rafael KubelíkC Major18B168 BPM
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance by Dmitri Shostakovich, Tasmin Little, Piers LaneShostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. RomanceDmitri Shostakovich, Tasmin Little, Piers LaneC Major18B175 BPM
Masquerade Suite: I. Waltz by Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony OrchestraMasquerade Suite: I. WaltzAram Khachaturian, Kirill Kondrashin, RCA Victor Symphony OrchestraC Major38B181 BPM
ISRC
NLA508206910
Label
L-M Records/RCA Records

Section: 0.7115249633789062

End: 0.7164192199707031