Peter Sculthorpe, Stephen Kent, Del Sol String Quartet's 'String Quartet No. 14, "Quamby": III. On High Hills' came out on September 30, 2014. With this song being about 5 minutes long, at 4:45, "String Quartet No. 14, "Quamby": III. On High Hills" by Peter Sculthorpe, Stephen Kent, Del Sol String Quartet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Sculthorpe: The Complete String Quartets with Didjeridu". In this album, this song's track order is #4. String Quartet No. 14, "Quamby": III. On High Hills is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 14, "Quamby": III. On High Hills by Peter Sculthorpe, Stephen Kent, Del Sol String Quartet having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony of a Thousand Piano Variation (After Symphony No. 8, Arr. for Piano by Tim Allhoff) | Gustav Mahler, Louis Philippson | E♭ Major | 0 | 5B | 114 BPM | ||
« Dolly », 6 pièces pour piano à 4 mains, Op. 56: Berceuse | Gabriel Fauré, Jean-Claude Vanden Eynden, Pierre-Alain Volondat | E Major | 0 | 12B | 142 BPM | ||
14 Romances, Op. 34/14: No. 14, Vocalise (Arr. For Cello & Piano by Alexander Shtrimer) | Sergei Rachmaninoff, Mikayel Hakhnazaryan, Lia Hakhnazaryan | E Minor | 1 | 9A | 105 BPM | ||
Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | B Major | 0 | 1B | 77 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Víkingur Ólafsson | F♯ Major | 0 | 2B | 76 BPM | ||
Bagatellen: III | Valentin Silvestrov | C Major | 0 | 8B | 72 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Petite Suite (Arr. J. Charlot for Solo Piano): I. Souvenance | Jean Roger-Ducasse, Jacques Charlot, Joel Hastings | C Major | 0 | 8B | 68 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Funeral Ikos | John Tavener, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs | F Minor | 1 | 4A | 77 BPM |
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