Gaspar Sanz, Scott Pauley, Becky Baxter, Danny Mallon, Chatham Baroque made "Fuga 2 al ayre de jiga (arr. S. Pauley)" available on January 1, 2000. With Fuga 2 al ayre de jiga (arr. S. Pauley) being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 24 in Chamber Music (Baroque) - Sanz, G. / Castro, F.J. De / Huete, D.F. De / Ortiz, D. / Falconieri, A. (Espanoleta) by Chatham Baroque. Fuga 2 al ayre de jiga (arr. S. Pauley) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Fuga 2 al ayre de jiga (arr. S. Pauley) by Gaspar Sanz, Scott Pauley, Becky Baxter, Danny Mallon, Chatham Baroque is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Lute Sonata No. 34 in D Minor: I. Prelude | Silvius Leopold Weiss, Robert Barto | C Minor | 1 | 5A | 86 BPM | ||
Preludio o Capricho Arpeado | Gaspar Sanz, Timo Korhonen | E Minor | 1 | 9A | 114 BPM | ||
Dernière courente de Gautier | Denis Gaultier, Bernhard Hofstötter | D♭ Minor | 1 | 12A | 148 BPM | ||
24 Preludes, Op. 28: No. 6 in B Minor (Arr. M. Llobet Soles for Guitar) | Frédéric Chopin, Stefano Grondona | C Major | 2 | 8B | 155 BPM | ||
Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 3 | 1B | 79 BPM | ||
Tarantella: Improvisación | Gaspar Sanz, Laberintos Ingeniosos | A♭ Minor | 2 | 1A | 123 BPM | ||
Recercadas del Trattado de Glosas: Recercada primera sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | D Minor | 0 | 7A | 95 BPM | ||
24 Studies, Op. 35, "Exercises": No. 22 in B Minor (Arr. A. Segovia for Guitar) | Fernando Sor, Eros Roselli | B Minor | 1 | 10A | 119 BPM | ||
Suite Buenos Aires: No. 3, San Telmo | Maximo Diego Pujol, Csaba Szabo, Accord Quartet | E Minor | 2 | 9A | 99 BPM |
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