Fernando Sor, Eros Roselli's '24 Studies, Op. 35, "Exercises": No. 22 in B Minor (Arr. A. Segovia for Guitar)' came out on February 1, 2014. The duration of 24 Studies, Op. 35, "Exercises": No. 22 in B Minor (Arr. A. Segovia for Guitar) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. 24 Studies, Op. 35, "Exercises": No. 22 in B Minor (Arr. A. Segovia for Guitar)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Sor: Works for Guitar". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, 24 Studies, Op. 35, "Exercises": No. 22 in B Minor (Arr. A. Segovia for Guitar) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Studies, Op. 35, "Exercises": No. 22 in B Minor (Arr. A. Segovia for Guitar) by Fernando Sor, Eros Roselli having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Estaciones Portenas (pour guitare): N°.1 Primavera Porteña | Göran Söllscher, Astor Piazzolla | E Minor | 0 | 9A | 129 BPM | ||
Ständchen, D. 957 | Franz Schubert, Thibault Cauvin | A Major | 1 | 11B | 131 BPM | ||
Primavera portena - Tango (arr. R. Cobo) | Ricardo Cobo, Astor Piazzolla | B Minor | 1 | 10A | 96 BPM | ||
Caprice No. 24, Op. 1: Tema - Quasi presto - Variazioni - Finale | Judicaël Perroy | A Minor | 1 | 8A | 90 BPM | ||
Muerte del angel - Tango (arr. R. Cobo): La muerte del angel - Tango (arr. R. Cobo) | Ricardo Cobo, Astor Piazzolla | A Minor | 1 | 8A | 89 BPM | ||
El Negrito | Antonio Lauro, Adam Holzman | G Major | 1 | 9B | 82 BPM | ||
25 Etudes, Op. 38: No. 11 in G Major | Napoléon Coste, Jeffrey McFadden | G Major | 1 | 9B | 101 BPM | ||
楊雪霏 | Xuefei Yang | A Minor | 3 | 8A | 88 BPM | ||
Alfonsina y el Mar - Zamba | Jorge Cardoso | E Minor | 1 | 9A | 127 BPM | ||
24 Exercises, Op. 35: No. 18, Andantino | Fernando Sor, Enea Leone | C Major | 1 | 8B | 134 BPM |
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