"Unustatud Rahvad: No. 5. Vepsa Rajad: No. 13. Äiutus" by Veljo Tormis, musica intima was released on April 3, 2006. With Unustatud Rahvad: No. 5. Vepsa Rajad: No. 13. Äiutus being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Veljo Tormis: Forgotten Peoples (Excerpts) by Veljo Tormis, musica intima. The song's track number on the album is #32 out of 34 tracks. Based on our data, Canada was the country where this track was produced or recorded. In terms of popularity, Unustatud Rahvad: No. 5. Vepsa Rajad: No. 13. Äiutus is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Unustatud Rahvad: No. 5. Vepsa Rajad: No. 13. Äiutus by Veljo Tormis, musica intima has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Unustatud Rahvad: No. 5. Vepsa Rajad: No. 13. Äiutus being at 94 BPM, the half-time would be 47 BPM with a double-time of 188 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Praise the Lord, Amen | Kiev Chamber Choir | F Major | 1 | 7B | 72 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
My Love Dwelt in A Northern Land, Op. 18, No. 3 | Edward Elgar, musica intima | A Minor | 1 | 8A | 105 BPM | ||
Requiem canticorum: Alleluia | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 0 | 7B | 63 BPM | ||
Amen, Alleluia | The Russian State Symphony Cappella | F Major | 3 | 7B | 133 BPM | ||
O presul vere civitatis | Hildegard von Bingen, Grace Davidson | C Minor | 0 | 5A | 93 BPM | ||
Miserere, Op.44: 2. Domine Deus noster-Lento. Dolce Cantabile | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 90 BPM | ||
Quatre Motets sur des thèmes grégoriens pour choeur a cappella, Op.10: I. Ubi caritas | Maurice Duruflé, Mauruce Duruflé, Houston Chamber Choir, Robert Simpson | E♭ Major | 1 | 5B | 88 BPM |
Section: 0.6018471717834473
End: 0.6053013801574707