"Quatre Motets sur des thèmes grégoriens pour choeur a cappella, Op.10: I. Ubi caritas" by Maurice Duruflé, Mauruce Duruflé, Houston Chamber Choir, Robert Simpson was released on April 5, 2019. The duration of Quatre Motets sur des thèmes grégoriens pour choeur a cappella, Op.10: I. Ubi caritas is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Quatre Motets sur des thèmes grégoriens pour choeur a cappella, Op.10: I. Ubi caritas's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 19 in Duruflé: Complete Choral Works by Maurice Duruflé, Mauruce Duruflé, Houston Chamber Choir, Ken Cowan, Robert Simpson. Quatre Motets sur des thèmes grégoriens pour choeur a cappella, Op.10: I. Ubi caritas is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quatre Motets sur des thèmes grégoriens pour choeur a cappella, Op.10: I. Ubi caritas by Maurice Duruflé, Mauruce Duruflé, Houston Chamber Choir, Robert Simpson is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM | ||
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 1, Bless My Soul, O Lord | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Klava | G Major | 1 | 9B | 78 BPM | ||
Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | ||
6 Chansons: No. 1. La biche | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Minor | 1 | 12A | 102 BPM | ||
Veni, Sancte Spiritus | Nordic Chamber Choir - Nicol Matt | A Major | 2 | 11B | 87 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
All Night Vigil, Op. 9: No. 18, Bless The Lord, O My Soul | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 127 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Aftenstemning (Evening Mood), FS 48 | Carl Nielsen, Orphei Drängar, Robert Sund | D♭ Major | 0 | 3B | 82 BPM | ||
A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 81 BPM |
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