"Madama Butterfly (Original 1904 La Scala Version) - Act Ii: Un Bel Di Vedremo (Butterfly)" by Giacomo Puccini, Hungarian State Opera Chorus, Philip Boulton, Richard Markley, Charles Rosekrans, Sharon Graham, Erich Parce, Sandor Egri, James Butler, Richard di Renzi, Hungarian State Opera Orchestra, Balazs Poka, Vivica Genaux, Tamas Clementis was released on October 9, 2007. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 80 in the song's album "Puccini: Madama Butterfly (1904 Version For La Scala, With Brescia And Paris Revisions)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Madama Butterfly (Original 1904 La Scala Version) - Act Ii: Un Bel Di Vedremo (Butterfly) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly (Original 1904 La Scala Version) - Act Ii: Un Bel Di Vedremo (Butterfly) by Giacomo Puccini, Hungarian State Opera Chorus, Philip Boulton, Richard Markley, Charles Rosekrans, Sharon Graham, Erich Parce, Sandor Egri, James Butler, Richard di Renzi, Hungarian State Opera Orchestra, Balazs Poka, Vivica Genaux, Tamas Clementis having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
À Chloris | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 185 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
Delibes: Lakmé, Act II: "Par les dieux inspirés" - Air des clochettes. "Où va la jeune hindoue" (Lakmé, Nilakantha, Chorus) | Léo Delibes, Natalie Dessay, Choeur Du Capitole De Toulouse, José van Dam, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 1 | 11B | 124 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Tannhäuser / Act 3: Wie Todesahnung... O du mein holder Abendstern (Wolfram) | Richard Wagner, Bryn Terfel, Metropolitan Opera Orchestra, James Levine | C Major | 3 | 8B | 99 BPM | ||
Thaïs / Acte Deux: Méditation religieuse - Symphonie | Jules Massenet, Renaud Capuçon, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
Carmen / Act 1: "Mais nous ne voyons pas la Carmencita" - "L'amour est un oiseau rebelle" | Georges Bizet, Tatiana Troyanos, John Alldis Choir, London Philharmonic Orchestra, Sir Georg Solti | G Major | 2 | 9B | 179 BPM | ||
"Io son l'umile ancella" | Francesco Cilea, Montserrat Caballé, Gianfranco Masini | A♭ Major | 1 | 4B | 107 BPM | ||
Ave Maria | Pietro Mascagni, Montserrat Caballé, Miguel Ortega | F Major | 1 | 7B | 80 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM |
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