"Mazurkas, Op. 67: No. 4 in A Minor, B. 163" by Frédéric Chopin, Giuseppe Greco was released on May 3, 2024. The duration of Mazurkas, Op. 67: No. 4 in A Minor, B. 163 is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Mazurkas, Op. 67: No. 4 in A Minor, B. 163's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 24 in Chopin: Mazurkas, Vol. 2 by Frédéric Chopin, Giuseppe Greco. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Mazurkas, Op. 67: No. 4 in A Minor, B. 163 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Mazurkas, Op. 67: No. 4 in A Minor, B. 163 by Frédéric Chopin, Giuseppe Greco is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Preludes: No. 3 | Paul Bowles, Lara Downes | F Minor | 0 | 4A | 113 BPM | ||
Prélude in E-Flat Minor, Op. 16, No. 4 | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
Rêverie (Arr. M. Balakirev for Piano) | Platon Zapolsky, Nicholas Walker | G Major | 0 | 9B | 91 BPM | ||
Scheherazade Op. 35 (Transcr. for Piano by Florian Noack): II. The Story of the Kalendar Prince | Nikolai Rimsky-Korsakov, Florian Noack | C Minor | 2 | 5A | 110 BPM | ||
7 Preludes, Op. 6: Prelude No. 4 in B Major | Sergei Lyapunov, Marco Rapetti | B Major | 3 | 1B | 151 BPM | ||
Albéniz: Iberia, Cuaderno II: No. 6, Triana | Isaac Albéniz, Michel Block | A♭ Major | 3 | 4B | 90 BPM | ||
Oblivion - piano four hands | Ad Parnassum Piano Duo, Astor Piazzolla arr. Biagio Lo Cascio | A Minor | 3 | 8A | 172 BPM | ||
Mazurkas, Op. 67: No. 4 in A Minor, B. 163 | Frédéric Chopin, Giuseppe Greco | E Major | 0 | 12B | 71 BPM | ||
Iberia, T. 105, Book 2: III. Triana | Isaac Albéniz, Peter Donohoe | F♯ Major | 0 | 2B | 66 BPM | ||
Montagne russe | Ivan Bogoyavlensky, Nadja Naumova | B Minor | 2 | 10A | 135 BPM |
Section: 0.6489057540893555
End: 0.65360426902771