On October 7, 2016, the song "Grandes Etudes de Paganini, S.141: No.4 In E Major" was released by Franz Liszt, Daniil Trifonov. With Grandes Etudes de Paganini, S.141: No.4 In E Major being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Transcendental - Daniil Trifonov Plays Franz Liszt (Etudes S. 139, S. 141, S. 144, S. 145)". In this album, this song's track order is #21. Grandes Etudes de Paganini, S.141: No.4 In E Major is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Grandes Etudes de Paganini, S.141: No.4 In E Major by Franz Liszt, Daniil Trifonov having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No.14 in C minor, K.457: 2. Adagio | Wolfgang Amadeus Mozart, András Schiff | E♭ Major | 0 | 5B | 131 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi Adagio | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Minor | 0 | 1A | 165 BPM | ||
Chanson triste, Op. 40: No. 2 | Pyotr Ilyich Tchaikovsky, Sviatoslav Richter | G Minor | 0 | 6A | 101 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Vocalise, Op. 34, No. 14 (Arr. for Piano by Trifonov ) | Sergei Rachmaninoff, Daniil Trifonov | E♭ Major | 0 | 5B | 70 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia | Ottorino Respighi, Konstantin Scherbakov | G Minor | 2 | 6A | 96 BPM | ||
Mélancolie | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 70 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Images I, L. 110: 3. Mouvement | Claude Debussy, Seong-Jin Cho | F Major | 1 | 7B | 118 BPM |
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