"Serenata Española (arr. Christoph Denoth)" by Joaquín Malats, Christoph Denoth, Jesús López-Cobos, London Symphony Orchestra was released on February 19, 2016. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Nocturnos De Andalucía". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Serenata Española (arr. Christoph Denoth) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Serenata Española (arr. Christoph Denoth) by Joaquín Malats, Christoph Denoth, Jesús López-Cobos, London Symphony Orchestra having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes D'hoffmann (The Tales Of Hoffman), Act II: Belle Nuit, O Nuit D'amour, "Barcarolle" (Arr. For Orchestra) | Slovak State Philharmonic Orchestra, Kosice, Anonymous, Jacques Offenbach | D Major | 1 | 10B | 79 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Tu che a Dio spiegasti l'ali" (Edgardo, Raimondo, Chorus) | Gaetano Donizetti, Jesús López-Cobos, Joseph Calleja, Münchener Opernchor, Münchener Opernorchester, Nicolas Teste | D♭ Major | 1 | 3B | 141 BPM | ||
Le Comte Ory / Act 1: "Cet écrit, noble châtelaine" | Gioachino Rossini, Stefania Bonfadelli, Marina de Liso, Marie-Ange Todorovitch, Rosella Bevacqua, Juan Diego Flórez, Bruno Pratico, Alastair Miles, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM | ||
Lucia di Lammermoor / Act 2: "Chi mi frena in tal momento" | Gaetano Donizetti, Montserrat Caballé, Ann Murray, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, Ambrosian Opera Chorus, New Philharmonia Orchestra, Jesús López-Cobos | D♭ Major | 3 | 3B | 81 BPM | ||
Manon: 'Obéissons quand leur voix appelle' (Gavotte) | Jules Massenet, Renée Fleming, Marcelo Álvarez, Jesús López-Cobos | E♭ Major | 1 | 5B | 156 BPM | ||
Un ballo in maschera, Act I: Preludio (Live) | Giuseppe Verdi, Vienna State Opera Orchestra, Bühnenorchester der Wiener Staatsoper, Jesús López-Cobos | E Major | 0 | 12B | 77 BPM | ||
Rossini : L'italiana in Algeri : Act 2 "Buon segro pe'I Bey" [Zulma, Elvira, Isabella, Lindoro] | Gioachino Rossini, Jesús López-Cobos, Orchestre de Chambre de Lausanne | B♭ Major | 0 | 6B | 124 BPM | ||
The Banks of Green Willow | George Butterworth, Richard Hickox, London Symphony Orchestra | E Minor | 0 | 9A | 84 BPM | ||
Smetana / Transc. Trneček: Moldau, Op. 43 | Bedřich Smetana, Anneleen Lenaerts | E♭ Major | 1 | 5B | 80 BPM | ||
Canon and Gigue in D Major - Arr. Max Seiffert | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 94 BPM |
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