"Fancies: V. O mistress mine" by Sven-Eric Johanson, Academy Chamber Choir of Uppsala, Stefan Parkman, Bengt Forsberg was released on May 1, 1997. With Fancies: V. O mistress mine being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Swedish A Cappella, Vol. 1". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Fancies: V. O mistress mine is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fancies: V. O mistress mine by Sven-Eric Johanson, Academy Chamber Choir of Uppsala, Stefan Parkman, Bengt Forsberg having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fyer, Fyer! | Thomas Morley, Reading Phoenix Choir, Christopher Hann | F Major | 2 | 7B | 78 BPM | ||
Media Vita | Kerensa Briggs, Reading Phoenix Choir, Christoper Hann | F♯ Major | 1 | 2B | 104 BPM | ||
Sicut lilium | John Stainer, The Choir of Magdalen College, Oxford, Mark Williams | D Major | 2 | 10B | 92 BPM | ||
Missa Pange Lingua: II. Gloria | Josquin des Prez, Choir of Clare College, Cambridge, Graham Ross, Sophie Woodhead, Henrietta Box, Laurence Booth-Clibborn, Laurence Harris | E♭ Major | 1 | 5B | 131 BPM | ||
Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 70 BPM | ||
My Soul | Ellen Andrea Wang, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg Weyde | C Major | 1 | 8B | 82 BPM | ||
Missa Pontificalis: Gloria | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | D Major | 0 | 10B | 86 BPM | ||
The Lord’s Prayer | James MacMillan, Cappella Nova, Alan Tavener | D Minor | 1 | 7A | 80 BPM | ||
グレゴリオ聖歌による4つのモテット作品10よりトータ・プルクラ・エス御身はすべてが美しくあり給う Quatre Motets sur des thémes grégoriens, Op. 10 II. Tota pulchra es | Girl Choristers, Sarah Baldock Conductor, Lay Clerks of Winchester Cathedral | G Minor | 0 | 6A | 64 BPM | ||
Credo IV | Anonymous, Peter Stevens, Stephen Alder, Martin Baker, Westminster Cathedral Choir | B♭ Minor | 1 | 3A | 135 BPM |
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