- BPM
- 95
- Key
- G Minor
- Camelot
- 6A
Subete wa usuakari no naka de (All in Twilight): II. Dark - Toru Takemitsu, Shin-ichi Fukuda Information
- Acousticness
- 99%
- Danceability
- 36%
- Energy
- 2%
- Instrumentalness
- 94%
- Liveness
- 11%
- Loudness
- 50%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 10%
- Loudness
- -29.757 dB
Summary
"Subete wa usuakari no naka de (All in Twilight): II. Dark" by Toru Takemitsu, Shin-ichi Fukuda was released on April 1, 2014. The duration of Subete wa usuakari no naka de (All in Twilight): II. Dark is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Subete wa usuakari no naka de (All in Twilight): II. Dark's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Takemitsu: Complete Original Solo Guitar Works". In this album, this song's track order is #6. In terms of popularity, Subete wa usuakari no naka de (All in Twilight): II. Dark is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Subete wa usuakari no naka de (All in Twilight): II. Dark BPM
With Subete wa usuakari no naka de (All in Twilight): II. Dark by Toru Takemitsu, Shin-ichi Fukuda having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Subete wa usuakari no naka de (All in Twilight): II. Dark Key
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | |
 | Las Máscaras | Horacio Salinas, Orquesta Clásica Usach | G Minor | 0 | 6A | 0 BPM | |
 | Officium breve in memoriam Andreae Szervánszky, Op. 28: XV. Arioso interrotto (di Endre Szervánsky). Larghetto | György Kurtág, Navarra String Quartet | C Major | 0 | 8B | 62 BPM | |
 | 6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | |
 | V mlhach (In the Mists), JW VIII/22: I. Andante | Leoš Janáček, Andrew Rangell | D♭ Minor | 0 | 12A | 171 BPM | |
 | In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | |
 | Totentanz | Meredith Monk, Bruce Brubaker, Ursula Oppens | A♭ Major | 1 | 4B | 111 BPM | |
 | Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | E Major | 0 | 12B | 93 BPM | |
 | 2 Thoughts About the Piano: No. 2. Catenaires | Elliott Carter, Ursula Oppens | F♯ Major | 3 | 2B | 68 BPM | |
| 6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.817072868347168
End: 0.8240699768066406