"Saxophone Sonata in C-Sharp Major: IV. Nocturne et Final" by Fernande Decruck, Claude Delangle, Odile Delangle was released on June 30, 2002. With this song being about 5 minutes long, at 4:57, "Saxophone Sonata in C-Sharp Major: IV. Nocturne et Final" by Fernande Decruck, Claude Delangle, Odile Delangle is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Claude Delangle's "Koechlin: Etudes for Alto Saxophone and Piano" album is number 4 out of 27. Based on our statistics, Saxophone Sonata in C-Sharp Major: IV. Nocturne et Final's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Saxophone Sonata in C-Sharp Major: IV. Nocturne et Final by Fernande Decruck, Claude Delangle, Odile Delangle to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: II | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
プロヴァンスの風景: プロヴァンスの風景: いとしい人への歌 | Paule Maurice, Nobuya Sugawa, 小柳美奈子 | E Minor | 1 | 9A | 66 BPM | ||
Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
A. Scotto: Orchestral Sketch n.°2 | Aurelio Scotto, Symphony Chamber Orchestra 2001 | A Minor | 2 | 8A | 132 BPM | ||
Martin: Ballade III | Frank Martin, David Bruchez, Ariane Haering | A Major | 1 | 11B | 96 BPM | ||
D’un cahier d’esquisses, L.112 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Movimento II - Jobim-açu | João Marcondes | C Major | 1 | 8B | 70 BPM | ||
Fantaisie, Op. 79 | Gabriel Fauré, Cocomi, Niu Niu | F♯ Minor | 0 | 11A | 150 BPM | ||
Piano Concerto No. 2 in C Minor: IV. Allegro deciso, assai moderato | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | E♭ Major | 1 | 5B | 103 BPM | ||
Trio for Piano, Violin and Horn in E-Flat Major, Op. 40: III. Adagio mesto | Johannes Brahms, Geoffroy Couteau, Amaury Coeytaux, Antoine Dreyfuss | F Major | 0 | 7B | 134 BPM |
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