Leonard Bernstein, On the Town Orchestra (1960) made "On the Town (Remastered): Act II: Night Club Sequence: So Long, Baby - I'm Blue - Ya Got Me" available on January 19, 2018. With this song being about 5 minutes long, at 4:51, "On the Town (Remastered): Act II: Night Club Sequence: So Long, Baby - I'm Blue - Ya Got Me" by Leonard Bernstein, On the Town Orchestra (1960) is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 13 in Bernstein: On the Town (Remastered) by Leonard Bernstein, On the Town Orchestra (1960). In terms of popularity, On the Town (Remastered): Act II: Night Club Sequence: So Long, Baby - I'm Blue - Ya Got Me is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of On the Town (Remastered): Act II: Night Club Sequence: So Long, Baby - I'm Blue - Ya Got Me by Leonard Bernstein, On the Town Orchestra (1960) is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: 1. Mars, the Bringer of War | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | G Major | 3 | 9B | 77 BPM | ||
Symphonic Dances from "West Side Story" *: Symphonic Dances from West Side Story: Mambo (Meno presto) | Leonard Bernstein, New York Philharmonic, West Side Story Original Broadway Cast | E Minor | 8 | 9A | 137 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Andantino, come prima - Meno mosso | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | C Major | 1 | 8B | 95 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
English Folk Song Suite: 2. Intermezzo: My Bonny Boy | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 0 | 5A | 64 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM | ||
A Quiet Place - Ed. Sunderland / Act 1: Postlude | Leonard Bernstein, Orchestre Symphonique de Montréal, Kent Nagano | E Minor | 0 | 9A | 86 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Le carnaval des animaux, R. 125: 4. Tortues | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | B♭ Major | 0 | 6B | 137 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM |
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