"Berbère: Berceuse Amazigh" by Hespèrion XXI, Le Concert Des Nations, La Capella Reial De Catalunya, Montserrat Figueras, Driss El Maloumi, Pedro Estevan was released on January 1, 2007. The duration of Berbère: Berceuse Amazigh is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Berbère: Berceuse Amazigh's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Montserrat Figueras, Jordi Savall, Hespèrion XXI, Le Concert Des Nations, La Capella Reial De Catalunya's "Ludi Musici - The Spirit of Dance" album is number 2 out of 24. Berbère: Berceuse Amazigh is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Berbère: Berceuse Amazigh by Hespèrion XXI, Le Concert Des Nations, La Capella Reial De Catalunya, Montserrat Figueras, Driss El Maloumi, Pedro Estevan to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Innsbruck, ich muss dich lassen | Heinrich Isaac, Capilla Flamenca | F Major | 0 | 7B | 94 BPM | ||
Sancta Mater | Andreas Scholl | D Major | 1 | 10B | 73 BPM | ||
L'incoronazione di Poppea, SV 308: Oblivion soave - Arr. for Voice & Piano | Claudio Monteverdi, Théophile Alexandre, Guillaume Vincent | G Minor | 0 | 6A | 76 BPM | ||
Recercare (I) | Francesco Spinacino, Robert Meunier | E Minor | 1 | 9A | 118 BPM | ||
Suite in A Minor: VI. Menuet de Poitou et son Double | Louis Couperin, Laurence Cummings | A♭ Minor | 2 | 1A | 118 BPM | ||
Pieces for 2 Lutes: III. Corant | William Lawes, Jacob Heringman, David Miller | A Major | 0 | 11B | 90 BPM | ||
La Magdalena | Pierre Attaingnant, La Rossignol | G Major | 1 | 9B | 69 BPM | ||
Beata viscera | Jan Garbarek, Pérotin, The Hilliard Ensemble | G Major | 0 | 9B | 138 BPM | ||
Recercada primera, quarta, ottava | Diego Oritz, Margaret Little, Sylvain Bergeron | A♭ Major | 1 | 4B | 81 BPM | ||
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM |
Section: 0.5803849697113037
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