"L'incoronazione di Poppea, SV 308: Oblivion soave - Arr. for Voice & Piano" by Claudio Monteverdi, Théophile Alexandre, Guillaume Vincent was released on September 14, 2018. The duration of L'incoronazione di Poppea, SV 308: Oblivion soave - Arr. for Voice & Piano is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. L'incoronazione di Poppea, SV 308: Oblivion soave - Arr. for Voice & Piano's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 21 in ADN Baroque by Théophile Alexandre, Guillaume Vincent. L'incoronazione di Poppea, SV 308: Oblivion soave - Arr. for Voice & Piano is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'incoronazione di Poppea, SV 308: Oblivion soave - Arr. for Voice & Piano by Claudio Monteverdi, Théophile Alexandre, Guillaume Vincent is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
sopra Passemezzo moderno | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Major | 2 | 9B | 139 BPM | ||
Cavalli: La Calisto, Act 1: "Piante ombrose" | Francesco Cavalli, Joyce DiDonato, Maxim Emelyanychev | C Minor | 1 | 5A | 137 BPM | ||
Concert XLI: Le Retour | Monsieur de Sainte-Colombe, Philippe Pierlot, Lucile Boulanger | C Major | 1 | 8B | 70 BPM | ||
Matthäuspassion, BWV 244: Erbarme dich | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Markus Schäfer, Peter Lika, Wilfried Jochens, Angela Kazimierczuk, Alison Browner, Franz-Josef Selig, Chorus Musicus | F♯ Major | 1 | 2B | 90 BPM | ||
Porpora: Semiramide riconosciuta, Act 2: "Se pietoso il tuo labbro" (Mirteo) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | F♯ Major | 0 | 2B | 65 BPM | ||
10 Préludes, Op. 23: VII. Allegro in C Minor | Sergei Rachmaninoff, Guillaume Vincent | D♭ Major | 1 | 3B | 64 BPM | ||
Vivaldi: Tieteberga, RV 737: "Sento in seno ch'in pioggia di lagrime" (Lotario) | Antonio Vivaldi, Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi | B♭ Minor | 0 | 3A | 119 BPM | ||
Vivaldi: Giustino, RV 717: "Vedrò con mio diletto" (Anastasio) | Antonio Vivaldi, Philippe Jaroussky, Jean-Christophe Spinosi | B♭ Minor | 0 | 3A | 126 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: No. 39 Aria (Alto): "Erbarme dich" | Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl | D♭ Major | 2 | 3B | 120 BPM |
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