"Largo, Allegro, Aria & 2 Variations (Arr. I. Tracey for Organ)" by Michael Christian Festing, Ian Tracey was released on November 16, 2008. Largo, Allegro, Aria & 2 Variations (Arr. I. Tracey for Organ) is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Organ Music from St. Jude's Church, Southsea". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Largo, Allegro, Aria & 2 Variations (Arr. I. Tracey for Organ) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Largo, Allegro, Aria & 2 Variations (Arr. I. Tracey for Organ) by Michael Christian Festing, Ian Tracey having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture in C Minor, GWV 413: VII. Sarabande | Christoph Graupner, Main-Barockorchester Frankfurt | F♯ Major | 1 | 2B | 101 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Oboe Concerto in A major, BWV 1055: Allegro ma non tanto | Johann Sebastian Bach, Hans-Peter Westermann | A♭ Major | 1 | 4B | 146 BPM | ||
Concerto Grosso Op.25-3 G Major 'Watermusic Suite No.3': Rigaudon | I Musici Di San Marco, Alberto Lizzio | G Major | 2 | 9B | 120 BPM | ||
Te Deum: XIII. In te Domine speravi | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: III. Allégresse. Vite - Meno mosso | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Minor | 2 | 11A | 113 BPM | ||
Airs for the Spring: Crocus: I. Aria: Moderato | James Oswald, The Broadside Band | D♭ Minor | 2 | 12A | 92 BPM | ||
Stabat Mater, P. 77: XII. Quando corpus - Amen | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Concerto Armonico I: II. Allegro | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 3 | 3B | 115 BPM |
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