"An die Musik, D. 547 - Arr. for Arpeggione and Piano" by Franz Schubert, Anne Gastinel, Claire Désert was released on September 20, 2005. The duration of An die Musik, D. 547 - Arr. for Arpeggione and Piano is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. An die Musik, D. 547 - Arr. for Arpeggione and Piano's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Schubert: Arpeggione, Sonatina & Lieder Transcriptions". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. In terms of popularity, An die Musik, D. 547 - Arr. for Arpeggione and Piano is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With An die Musik, D. 547 - Arr. for Arpeggione and Piano by Franz Schubert, Anne Gastinel, Claire Désert having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Renaud Capuçon, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 73 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Nocturne No. 3 in A Flat Major, H.26 | John Field, Elizabeth Joy Roe | A♭ Major | 0 | 4B | 73 BPM | ||
Satie: 6 Gnossiennes: No. 4, Lent | Erik Satie, Anne Queffélec | A Minor | 0 | 8A | 69 BPM | ||
Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Miscellanea, Op. 16: No. 4, Nocturne in B-Flat Major | Ignacy Jan Paderewski, Jenny Lin | B♭ Major | 0 | 6B | 61 BPM | ||
Douze études, Op. 25: No. 1 in A-Flat Major "Aeolian Harp" | Giovanni Umberto Battel | A♭ Major | 0 | 4B | 94 BPM | ||
Dance of the Dolls: Lyric Waltz (Orch. by Tamas Batiashvili) | Dmitri Shostakovich, Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | B♭ Major | 0 | 6B | 168 BPM | ||
Die Forelle, Op. 32, D. 550 - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | D♭ Major | 1 | 3B | 82 BPM |
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