"Roméo et Juliette, Op. 17, H 79, Pt. 1: No. 1a, Introduction" by Hector Berlioz, Orchestre National De Lyon, Leonard Slatkin was released on April 12, 2019. With this song being about 5 minutes long, at 4:49, "Roméo et Juliette, Op. 17, H 79, Pt. 1: No. 1a, Introduction" by Hector Berlioz, Orchestre National De Lyon, Leonard Slatkin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 20 in Berlioz: Roméo et Juliette, Op. 17, H 79 by Hector Berlioz, Orchestre National De Lyon, Leonard Slatkin. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Roméo et Juliette, Op. 17, H 79, Pt. 1: No. 1a, Introduction is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Roméo et Juliette, Op. 17, H 79, Pt. 1: No. 1a, Introduction by Hector Berlioz, Orchestre National De Lyon, Leonard Slatkin is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Troyens, Op. 29, H 133, Act I: No. 11. "De mes sens éperdus (Marche troyenne)" | Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis, Petra Lang | B♭ Major | 2 | 6B | 72 BPM | ||
Rachmaninov: Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F Major | 1 | 7B | 142 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Peer Gynt Suite No.2 op. 55 Arab Dance ( Allegretto vivace) | Academy of St. Martin in the Fields | A Minor | 2 | 8A | 126 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
La Damnation de Faust, Op. 24, H. 111: Pt. I, Scène II & III - Ronde de paysans. "Les bergers laissent ... Mais d'un éclat guerrier" | Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Sir Simon Rattle, Bryan Hymel | D Major | 2 | 10B | 82 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM | ||
Le nozze di Figaro, K. 492: Overture | Wolfgang Amadeus Mozart, BBC Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 79 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Fight | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 4 | 8B | 108 BPM |
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