"The Tragedy of Salome: Prelude" by Florent Schmitt, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel was released on January 25, 2010. Since The Tragedy of Salome: Prelude is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Respighi: Belkis, Queen of Sheba - Hindemith: Symphonic Metamorphosis - Schmitt: The Tragedy of Salome". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. The Tragedy of Salome: Prelude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Tragedy of Salome: Prelude by Florent Schmitt, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Tragédie de Salomé, Op. 50: I. Prélude | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Serenade in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Mainz Chamber Orchestra, Gernot Schulz | E Minor | 1 | 9A | 81 BPM | ||
String Quartet in G minor | Antonios Fotopoulos, Antonis Fotopoulos | A♭ Major | 0 | 4B | 58 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
String Quartet No. 2 in D Major: III. Notturno: Andante | Alexander Borodin, Budapest Haydn Quartet | A Major | 1 | 11B | 89 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM |
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