Isaac Albéniz, Brass Band Berner Oberland, Corsin Tuor's 'Asturias' came out on November 25, 2020. The duration of Asturias is about 3 minutes long, at 3:29. Based on our data, "Asturias" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 16 in Für immer uf Di by Brass Band Berner Oberland, Corsin Tuor. Asturias is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Asturias by Isaac Albéniz, Brass Band Berner Oberland, Corsin Tuor is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturno | Federico Moreno Torroba, Tilman Hoppstock | A Minor | 1 | 8A | 66 BPM | ||
Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM | ||
4 Mazurkas : No. 4. Sueno | Norbert Kraft | C Major | 0 | 8B | 195 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Satie: 6 Gnossiennes: V. No. 5 | Erik Satie, Fazıl Say | G Minor | 0 | 6A | 170 BPM | ||
Cádiz | Isaac Albéniz, David Russell | C Major | 1 | 8B | 140 BPM | ||
Suite populaire brésilienne, W020: No. 1, Mazourka-choro | Manuel Barrueco | D Major | 1 | 10B | 114 BPM |
Section: 0.7447757720947266
End: 0.749467134475708