"Sonata for Viola and Piano in B flat, Op.107: 2nd movement: Vivace" by Max Reger, Keith Harvey, Ivo Van Der Werff, Simon Marlow was released on January 1, 1996. With this song being about 5 minutes long, at 5:15, "Sonata for Viola and Piano in B flat, Op.107: 2nd movement: Vivace" by Max Reger, Keith Harvey, Ivo Van Der Werff, Simon Marlow is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Reger: The 3 Cello Suites Op.131c; Viola Sonata Op.107". In this album, this song's track order is #12. Based on our statistics, Sonata for Viola and Piano in B flat, Op.107: 2nd movement: Vivace's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata for Viola and Piano in B flat, Op.107: 2nd movement: Vivace by Max Reger, Keith Harvey, Ivo Van Der Werff, Simon Marlow having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Fischer und das Milchmädchen: IXb. Andantino pastorale | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Pictures and Tales Suite: IV. Sleep, Baby, Sleep | Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns | B Major | 0 | 1B | 112 BPM | ||
Concerto Grosso: Intrada | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | G Major | 3 | 9B | 78 BPM | ||
24 Préludes, Op. 28: No. 20 in C Minor (Arr. Franchomme for 4 Cellos) | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | A♭ Major | 0 | 4B | 88 BPM | ||
Pierné: Pièce, Op. 5 | Gabriel Pierné, François Leleux, Emmanuel Strosser | B♭ Major | 1 | 6B | 95 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM |
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