"Jeux vénitiens, Pt. 1" by Witold Lutosławski, Finnish Radio Symphony Orchestra, Hannu Lintu was released on November 9, 2018. The duration of Jeux vénitiens, Pt. 1 is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Jeux vénitiens, Pt. 1's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Witold Lutosławski, Finnish Radio Symphony Orchestra, Hannu Lintu's "Lutosławski: Symphonies Nos. 1 and 4 & Jeux vénitiens" album is number 5 out of 9. On top of that, Finland appears to be the country where this track was created. Based on our statistics, Jeux vénitiens, Pt. 1's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jeux vénitiens, Pt. 1 by Witold Lutosławski, Finnish Radio Symphony Orchestra, Hannu Lintu to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
The music key of this track is F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Concerto: I. Allegro | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | A Major | 2 | 11B | 128 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: V. Largo | Dmitri Shostakovich, Asasello Quartett | F Major | 0 | 7B | 173 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Symphony No.2 in C Minor "Resurrection": First Movement: Im Tempo nachgeben | Gustav Mahler, Gilbert Kaplan, Ben Rizzi | E♭ Major | 3 | 5B | 96 BPM | ||
Fantasia for Cello & Orchestra, W454: II. Molto vivace | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | G Minor | 1 | 6A | 105 BPM | ||
Rêverie | Fernand de la Tombelle, Munich Radio Orchestra, Herve Niquet | E Major | 1 | 12B | 99 BPM | ||
String Quartet in G Minor, Op. 10: IV. Très modéré - Très animé | Claude Debussy, Quatuor Ébène | A Major | 0 | 11B | 85 BPM | ||
Raymonda, Act III: Variation for female dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | B Major | 0 | 1B | 76 BPM | ||
French Quadrilogy: No. 2, The Dream | Aivars Kalējs, Trio NYX | G Minor | 0 | 6A | 94 BPM | ||
Cello Concerto: IV. Finale | Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Paul Watkins | A Minor | 2 | 8A | 139 BPM |
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