"Cello Concerto: IV. Finale" by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Paul Watkins was released on November 1, 2012. Cello Concerto: IV. Finale is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The track order of this song in Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Paul Watkins's "Lutosławski: Mała Suita, Cello Concerto, Grave & Symphony No. 2" album is number 8 out of 11. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Cello Concerto: IV. Finale's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Concerto: IV. Finale by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Paul Watkins to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Pieces for String Quartet (Arr. for Orchestra by Manfred Honeck & Tomás Ille): No. 1, Alla valse Viennese. Allegro | Erwin Schulhoff, Pittsburgh Symphony Orchestra, Manfred Honeck | A♭ Major | 0 | 4B | 95 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 33: I. Allegro | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | G Major | 2 | 9B | 90 BPM | ||
Sonata for Clarinet and Piano: 2. Romanza | Francis Poulenc, Karl Leister, James Levine | G Minor | 0 | 6A | 72 BPM | ||
D'un soir triste | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 87 BPM | ||
Variations & Fugue on a Theme of Mozart, Op. 132: Var. 3, Con moto | Max Reger, Dresdner Philharmonie, Jörg-Peter Weigle | C Minor | 2 | 5A | 89 BPM | ||
Final Ride | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM | ||
24 Preludes, Op. 11: Prelude in B Minor, Op. 11, No. 6 (Arr. V. Rogal-Levitsky) | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | G Major | 2 | 9B | 66 BPM | ||
Symphony No. 9 in D Minor, WAB 109 (1894 Version, Ed. L. Nowak): II. Scherzo. Bewegt, lebhaft | Anton Bruckner, Bamberg Symphony, Jakub Hrůša | D Major | 1 | 10B | 134 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM |
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