Traditional, Yo-Yo Ma made "Blue Little Flower (Chinese Traditional)" available on 2002. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Silk Road Journeys - When Strangers Meet (Remastered)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Blue Little Flower (Chinese Traditional)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Blue Little Flower (Chinese Traditional) by Traditional, Yo-Yo Ma having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificent cum Alleluia (Song of Praise) | Nóirín Ní Riain | G Minor | 1 | 6A | 107 BPM | ||
Melancholy Galliard | Hopkinson Smith, John Dowland | A♭ Major | 1 | 4B | 80 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM | ||
Lord Have Mercy | The Russian State Symphony Cappella | E♭ Minor | 2 | 2A | 78 BPM | ||
3rd Antiphon - The Beatitudes | Roman Hurko | E♭ Minor | 1 | 2A | 81 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | C Minor | 1 | 5A | 86 BPM | ||
Tallis: Spem in Alium - 4. Respice (Repeat) | The Tallis Scholars, Peter Phillips | D Major | 3 | 10B | 89 BPM | ||
Missa "Mille Regretz": Kyrie (Morales) | The Hilliard Ensemble | B Minor | 1 | 10A | 78 BPM | ||
In the Stillness | Sally Beamish, Katrina Shepherd, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | A Minor | 0 | 8A | 125 BPM |
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