"Fanfare für Wiener Philharmoniker, Op. 109" by Richard Strauss, Locke Brass Consort, James Stobart was released on February 1, 1988. The duration of Fanfare für Wiener Philharmoniker, Op. 109 is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Fanfare für Wiener Philharmoniker, Op. 109's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Strauss: Symphonic Brass". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Fanfare für Wiener Philharmoniker, Op. 109's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fanfare für Wiener Philharmoniker, Op. 109 by Richard Strauss, Locke Brass Consort, James Stobart having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | C Major | 2 | 8B | 71 BPM | ||
Southern Harmony: III. Exhilaration | Donald Grantham, North Texas Wind Symphony, Eugene Migliaro Corporon | G Major | 3 | 9B | 98 BPM | ||
Children's March, "Over the Hills and Far Away" | Percy Grainger, The Arts District Chorale, Dallas Wind Symphony, Jerry Junkin | B♭ Major | 1 | 6B | 120 BPM | ||
Barnum and Bailey's Favorite | US Army Band | D♭ Major | 5 | 3B | 145 BPM | ||
フラッシング・ウインズ | Jan van der Roost, 大阪市音楽団 | F Minor | 3 | 4A | 82 BPM | ||
English Folk Song Suite: III. March (Folk Songs from Somerset) | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | F Major | 4 | 7B | 82 BPM | ||
Benedictus - Duett für Flügelhorn und Euphonium | Oblt Philipp Werlen, Tromp Manuel Renggli, Tromp Florian Karlen, Rekrutenspiel Schweizer Militärmusik - Brass Band | D♭ Major | 1 | 3B | 79 BPM | ||
English Dances, Set 2, Op. 33: No. 2. Con brio | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | C Major | 4 | 8B | 142 BPM | ||
In This Broad Earth | Steven Bryant, Michigan State University Wind Symphony, Kevin L. Sedatole | A♭ Major | 2 | 4B | 76 BPM | ||
Tannhäuser, WWV 70: Einzug der Gäste auf der Wartburg | Richard Wagner, German Brass | B♭ Major | 2 | 6B | 140 BPM |
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