Percy Grainger, The Arts District Chorale, Dallas Wind Symphony, Jerry Junkin's 'Children's March, "Over the Hills and Far Away"' came out on March 1, 2012. Since Children's March, "Over the Hills and Far Away" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Percy Grainger, Dallas Wind Symphony, Jerry Junkin's "Lincolnshire Posy" album is number 9 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, Children's March, "Over the Hills and Far Away"'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Children's March, "Over the Hills and Far Away" by Percy Grainger, The Arts District Chorale, Dallas Wind Symphony, Jerry Junkin to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
English Folk Song Suite: II. Intermezzo (My Bonny Boy) | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | C Minor | 1 | 5A | 71 BPM | ||
With Each Sunset (Comes the Promise of a New Day) | Richard Saucedo, Midwest Wind Ensemble | F Major | 1 | 7B | 73 BPM | ||
Flourish for Wind Band | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | F Major | 2 | 7B | 111 BPM | ||
Symphonic Suite: II. Chorale | Clifton Williams, North Texas Wind Symphony, Eugene Migliaro Corporon | A♭ Major | 0 | 4B | 74 BPM | ||
Symphonic Suite: III. March | Clifton Williams, North Texas Wind Symphony, Eugene Migliaro Corporon | B♭ Major | 4 | 6B | 135 BPM | ||
The Low-Down Brown Get-Down (Live) | Omar Thomas, The University of Texas Wind Ensemble, Jerry Junkin | A♭ Major | 4 | 4B | 114 BPM | ||
Southern Harmony: IV. The Soldier's Return | Donald Grantham, North Texas Wind Symphony, Eugene Migliaro Corporon | D♭ Minor | 3 | 12A | 102 BPM | ||
Melodious Thunk | David Biedenbender, North Texas Wind Symphony, Eugene Migliaro Corporon | F♯ Major | 3 | 2B | 100 BPM | ||
Joy Revisited | Frank Ticheli, University of Texas at El Paso Symphonic Winds, Ron Hufstader | E♭ Major | 2 | 5B | 145 BPM | ||
6-Part Fantasy (Arr. P. Grainger for Saxophone Ensemble) | William Lawes, Percy Grainger, J. Michael Holmes, Jesse Dochnahl, Adrianne Honnold, Joyce Griggs, Phil Pierick, Adam Hawthorne, Ben Kenis | B♭ Minor | 2 | 3A | 118 BPM |
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