On January 1, 2002, the song "Donizetti Variations (Arr. Irving & March): Andante" was released by Gaetano Donizetti, The City of Prague Philharmonic Orchestra, Daryl Griffith. With Donizetti Variations (Arr. Irving & March): Andante being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 31 out of 32 in British By Arrangement by Gavin Sutherland, The City of Prague Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Donizetti Variations (Arr. Irving & March): Andante's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Donizetti Variations (Arr. Irving & March): Andante by Gaetano Donizetti, The City of Prague Philharmonic Orchestra, Daryl Griffith is Vivace (lively and fast), since this song has a tempo of 158 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
Turandot / Act III: "Nessun dorma" | Giacomo Puccini, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | D Major | 2 | 10B | 85 BPM | ||
La sonnambula, Act I: Prendi: l'anel ti dono - Edit | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | E Major | 3 | 12B | 130 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Gluck: Orphée et Eurydice, Act 3: "J'ai perdu mon Eurydice" (Orphée) | Christoph Willibald Gluck, Susan Graham, Harry Bicket, Orchestra of the Age of Enlightenment | E Minor | 1 | 9A | 79 BPM | ||
Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | ||
Wagner: Tristan und Isolde, WWV 90, Act 3, Final Scene: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano, Ian Bostridge | B Major | 1 | 1B | 180 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Stefania Malagu, Teresa Berganza, Luigi Alva, Enzo Dara, Hermann Prey, Paolo Montarsolo, Luigi Roni, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | C Major | 4 | 8B | 95 BPM | ||
Carmen, WD 31 / Act 2: "Votre toast... je peux..." - "Toréador, en garde" | Georges Bizet, Sherrill Milnes, George Main, Robert Lloyd, Teresa Berganza, Yvonne Kenny, Gordon Sandison, Geoffrey Pogson, Alicia Nafé, Jean Lainé, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy | F Major | 2 | 7B | 105 BPM | ||
Mozart: Le nozze di Figaro, Act 2: "Porgi amor qualche ristoro" (La Contessa) | Wolfgang Amadeus Mozart, Daniel Barenboim, Berliner Philharmoniker, Lella Cuberli | E♭ Major | 1 | 5B | 178 BPM |
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