Leonard Bernstein, Rolando Villazón, Prague Philharmonia, Daniele Callegari made "West Side Story: Maria" available on January 1, 2010. The duration of West Side Story: Maria is about 3 minutes long, at 3:07. Based on our data, "West Side Story: Maria" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Rolando Villazón - Tenor". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Based on our statistics, West Side Story: Maria's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With West Side Story: Maria by Leonard Bernstein, Rolando Villazón, Prague Philharmonia, Daniele Callegari having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Boheme | Dustin Henze | D Major | 1 | 10B | 74 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
Samson et Dalila, Op. 47, Act II: Mon coeur s'ouvre a ta voix | Camille Saint-Saëns, Lauris Elms, Geoffrey Arnold, West Australian Symphony Orchestra | F♯ Major | 1 | 2B | 81 BPM | ||
La Bohème / Act 1: "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!" | Giacomo Puccini, Anna Netrebko, Stéphane Degout, Vitalij Kowaljow, Boaz Daniel, Rolando Villazón, Bavarian Radio Symphony Orchestra, Bertrand de Billy | C Major | 1 | 8B | 126 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Così fan tutte, K. 588 / Act II: "Tradito, schernito" | Wolfgang Amadeus Mozart, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin | A Minor | 1 | 8A | 83 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Les pêcheurs de perles, WD 13 / Act I: "C'était le soir" ... "Au fond du temple saint" | Georges Bizet, Rolando Villazón, Ildar Abdrazakov, Orchestre Métropolitain, Yannick Nézet-Séguin | E Major | 0 | 12B | 79 BPM | ||
Così fan tutte, K. 588 / Act II: "Una donna a quindici anni" | Wolfgang Amadeus Mozart, Mojca Erdmann, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 1 | 9B | 112 BPM | ||
Kaiserwalzer, Op. 437 | Johann Strauss II, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | C Major | 1 | 8B | 178 BPM |
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