"Messe solennelle de saint Remi: Gloria" by Georges Moineau, Chœur "Cantabile" de la Cathédrale de Reims, Orchestre de Chambre Arsène Muzerelle, Arsène Muzerelle was released on January 1, 1998. Since Messe solennelle de saint Remi: Gloria is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Georges Moineau, Chœur "Cantabile" de la Cathédrale de Reims, Orchestre de Chambre Arsène Muzerelle, Arsène Muzerelle's "Moineau: Messe solenelle de saint Remi & Le Baptême de Clovis" album is number 2 out of 15. On top of that, Belgium appears to be the country where this track was created. Messe solennelle de saint Remi: Gloria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messe solennelle de saint Remi: Gloria by Georges Moineau, Chœur "Cantabile" de la Cathédrale de Reims, Orchestre de Chambre Arsène Muzerelle, Arsène Muzerelle to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in E flat - "Symphony of a Thousand" - Part Two: Final scene from Goethe's "Faust": "Alles Vergängliche" | Gustav Mahler, Jane Eaglen, Anne Schwanewilms, Ruth Ziesak, Sara Fulgoni, Anna Larsson, Ben Heppner, Peter Mattei, Jan-Hendrik Rootering, Netherlands Chamber Choir, Prague Philharmonic Chorus, Jongens en meisjes van het Kathedrale Koor St.Bavo, Haarlem, Sacramentskoor Breda, Royal Concertgebouw Orchestra, Riccardo Chailly | A♭ Major | 2 | 4B | 88 BPM | ||
Requiem, Op. 9: VI. Agnus Dei | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | C Major | 0 | 8B | 70 BPM | ||
Messe solennelle de saint Remi: Benedictus | Georges Moineau, Chœur "Cantabile" de la Cathédrale de Reims, Orchestre de Chambre Arsène Muzerelle, Arsène Muzerelle | F♯ Minor | 3 | 11A | 79 BPM | ||
Requiem, Op. 9: I. Introit | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | E♭ Major | 2 | 5B | 122 BPM | ||
Vespers (All-Night Vigil), Op.37: 11. "Velichit dusha moya Gospoda" | Sergei Rachmaninoff, St.Petersburg Chamber Choir, Nikolai Korniev | G Minor | 1 | 6A | 139 BPM | ||
Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | ||
Petite messe solennelle: Petite messe solennelle: Sanctus | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 1 | 8B | 81 BPM | ||
The Dream of Gerontius, Op. 38, Pt.1: Rouse thee, my fainting soul | Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | C Minor | 0 | 5A | 115 BPM | ||
Delius: Appalachia: Variation XIII. L'istesso tempo | Frederick Delius, Sir John Barbirolli, Ambrosian Singers, Hallé | C Major | 1 | 8B | 86 BPM | ||
Choral Music III. a cappella | Richard Beddow | D Minor | 2 | 7A | 173 BPM |
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